wM2Final Draft, Inc. Final DraftsFFFF000000060002000177AA00000000008C000000002000110000001-7FFF6F000480048-252259E20011E-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,FADE IN: EXT. BUSH (REAL WORLD) - DAY (FLASHFORWARD) An Australian eucalypt forest seen through the eyes of someone, (BLADE), running through fire-ravaged scrub. She remains unseen but we hear her rapid breathing. The burning wreckage of heavy logging equipment has transformed the dense bush into hell. Dogs are barking nearby. A rising cacophony of ring-tones and voices. Smoke fills the air. Disoriented, we don't know if we are running away from or straight into carnage. Blade, short-haired, mid-twenties and strong, sprints between the trees. A uniformed and helmeted STATE TROOPER appears and aims his rifle at something off screen. Our view accelerates towards him. The trooper swivels around, cocking his head just as... DISSOLVE TO: EXT. WIRRIMBURRA SANCTUARY (REAL WORLD) - DAY (PRESENT DAY) The simple outline of a bush animal carved into stone. The CAMERA pulls out and reveals another one, and another one. A pattern of carvings is forming, like a map. 000200000398000003C7392,VIDEO NARRATOR (V.O.) We learn from the past and build on our rich heritage for our future.[] The CAMERA quickly ZOOMS away to reveal an aerial shot of the bush sanctuary rapidly encroached on all sides by an unending urban sprawl. To the right, Canberra's Black Mountain Tower. To the left, Sydney's Centrepoint Tower. VIDEO NARRATOR (V.O. CONT'D) (CONT'D) The preservation of our wonderful natural environments is a fundamental part of our strategy. The pattern formed by the outlined animals is suddenly replaced with a contemporary map delineating streets and houses of the modern world. INT. CLASSROOM (REAL WORLD) - DAY A group of lanky TEENAGE KIDS are watching an immersive video presentation. The same aerial view is projected, yet here the two cities are still far apart. VIDEO NARRATOR (V.O. CONT'D) This is a sustainable society. With your support, the State will find new ways to reduce our impact... 00020000034700000759341,Images of the carved bush animals appear on screen. VIDEO NARRATOR (V.O. CONT'D) (CONT'D) ...making places like Wirrimbirra Sanctuary a treasure for generations to come. That means you. Among the school kids is a sixteen-year-old tomboy girl BLAKE. She arches an eyebrow. She taps her foot to some rhythm only she can hear. On her monitor dances a crudely drawn stick figure CD. CD is Blake's software agent. He can twist and turn, with the most fluid motions, into the most far-fetched contortions. EXT. BUSH (REAL WORLD) - DAY A CAMERA LENS picks up a small metal object, a NANO-BAT shaped like a baseball, as it is clipped onto a branch. In the corner of the screen is the logo for the State Department of Environment and Network Resources (DENR), a tree sprouting roots blending into circuitry. INT. CLASSROOM (REAL WORLD) - DAY 0002000003DF00000A9A3D9,Blake looks at the aerial photo of the urban sprawl. She touches her own interface and brings up the original photo. There is an obvious discrepancy between the two images. CD throws her a challenging look. Blake gesticulates and the original photo appears in the presentation on the wall. The TEACHER turns around and sees the screen. She throws a nervous glance to the corner SURVEILLANCE CAMERA. Its red recording light is ON. TEACHER (nervously) Blake, get out of there right now! BOY Nice one, geek girl. Blake swiftly adjusts something on her interface. The wall behind the teacher dissolves into a rude finger gesture. The entire class laughs. INT. STATE REGISTRY (VIRTUAL WORLD) - DAY Login details are superimposed on the void. The pages of Blake's State file are being accessed. TEACHER (V.O.) (over the phone) Mr Harkinson, your daughter is a very intelligent girl and I don't know how she gets her information, but if it happens again I'll have no choice but to report it. 0002000003EE00000E733E8,INT. BLAKE'S BEDROOM (REAL WORLD) - EVENING Blake's room is a mess of teenage paraphernalia. Computer hardware is crammed under the desk. A monitor screen is on, laid on its side. Next to it is a early NANO-BAT prototype. Angry music is blaring. DANIEL HARKINSON, late thirties, ruggedly handsome, bearded professor type, is in the middle of a heated argument with his daughter Blake. He has to shout to be heard. DANIEL What the hell did you think you were doing?! BLAKE What do you care?! You never give a shit about anything I do. Blake casually dumps a pile of junk on top of a CD lying on her desk DANIEL How could you be so dumb?! DANIEL (CONT'D) You're putting our family at risk. Did you even think about that? BLAKE Give me a break. One little photo. Daniel waves his arms in the air but nothing. Blake, bored at seeing his clumsy attempts, elegantly makes a gesture. The ceiling camera adjusts focus. The music cuts. DANIEL One more call from school and I take away your RIG. Permanently. 0002000003660000125B360,BLAKE You wouldn't dare, you bastard! DANIEL Don't tempt me, Blake. He turns to leave then changes his mind and turns back and almost waves his finger at her. DANIEL (CONT'D) (warning) Don't play God in someone else's system. He leaves, and just as he closes the door, Blake violently throws a shoe at it. BLAKE (angry) Go to hell! The music starts up again. EXT. BUSH (REAL WORLD) - EVENING The bush is full of activity; a eco-system burgeoning with life. Small, furry creatures scurry around building nests and gathering food, and insects crawl across the ground with collected materials for their homes. It's an organic nature scene straight out of a David Attenborough documentary. The city could not be further away. A FAT KOALA bear stares into the lens of a SURVEILLANCE CAMERA tightly fastened to a branch. INT. STATE'S MONITOR ROOM (REAL WORLD) - EVENING 000200000381000015BB37B,A CLOSE UP of the koala's arse, but this time on a monitor screen. It's a dark, soulless room full of DENR branded machines recording. Snippets of voice recordings are heard. TECH(V.O.) (through loudspeaker) Oi! Rack off you stupid thing! We'll shoot the lot of you. INT. ACTIVISTS' HQ (REAL WORLD) - EVENING Daniel is staring at a row of recycling bins. He holds a cup of herbal tea and is looking to toss his tea bag. It takes him a moment before he locates the right bin in the myriad of labels: GLASS, COLOURED GLASS, PAPER, COLOURED PAPER, TIN, WOOD, PLASTIC, FABRIC etc. This is the HQ of the ECO ACTIVISTS. Several beat up vans and bikes are scattered through the terrain. They are all painted in rainbow colours and various propaganda materials are spread on the ground. Several ACTIVISTS are running around, getting their hiking gear in order. The place is buzzing with excitement. 0002000003FC000019363F6,With his tea, Daniel walks over to MARK, a nerdy 22-year- old, ponytail and glasses, who is accessing his portable computer with the screen sown into his clothes. MARK Is that camomile? DANIEL Nah mate, tonight we need action. MARK Raspberry, eh? DANIEL You got it. INT. STATE REGISTRY (VIRTUAL WORLD) - EVENING A LOUD SIREN wails. RED LIGHTS are flashing. The State Registry resembles a disorganised and badly maintained warehouse. Endless rows of filing cabinets and official storage containers. CRASH! Rows and rows of filing cabinets hit the floor. A mountain of papers spills out. Blake lands on the pile and starts to flick through them at great speed. She should obviously not be here. BLAKE CD! You muppet! CD (O.S.) What? BLAKE That bloody photo. CD (O.S.) Hey mate, don't blame your software... CD climbs down a ladder formed out of his body, whilst holding on to a stack of paper. CD (CONT'D) I'm just your agent. And you stole me, remember? Anyway I think you're about to find what you're looking for. 00020000039000001D2C38A,She ignores him. CD patiently taps his foot. With a smirk he flicks through the papers and loudly clears his throat. BLAKE I wanted the low-down on the bush, not the State's entire laundry list. CD Then come get it babe! En garde! He playfully rolls the papers into a fencing cord. She looks up and notices his weapon. Then she equally rolls up her papers and they start to fence. They are both very good as they swirl around, balancing on top of cabinets and files. Finally, she traps him and gives him a fatal stab. BLAKE Touch! She grabs the papers out of his hands and quickly skims through them, her cheeks reddening as she reads. CD starts to clear up their mess. A shaft of illuminating light from an AUTOMATIC VIRUS SCAN appears. CD and Blake immediately understand that this means danger. CD is torn between continuing to clean up and protecting Blake. He stays put, flat up against a bookshelf. 000200000381000020B637B,The scan comes in between them. Blake has a moment of panic. The laser beam is just seconds away from cutting her in two... BLAKE (CONT'D) (under her breath) Shit... She closes her eyes and grimaces. Then just as the beam is about the cut into her, she opens her eyes and throws the papers simultaneously in two directions. The scan reacts to the movement and splits its beam in two, flashing into several colours. One cutting right under Blake's feet, the other right over her head. The scan disappears. BLAKE (CONT'D) What the hell was that? CD You tell me. Let's get out of here. They start to leg it when CD turns around. The alarms are still wailing. CD (CONT'D) Hang on, file. BLAKE Leave it. He drops it on the floor as they run off. CD Won't someone trip over it? BLAKE That's the idea, dude. They keep running and make it out, jumping over multiple virus scans in the nick of time. 00020000035900002431353,INT. ACTIVISTS' HQ (REAL WORLD) - EVENING A cardboard box is briskly plunked down. A FEMALE ACTIVIST pulls out knitted hats in wool onto the table. One of the BATS rolls off the edge of the table. Daniel catches it just before it hits the ground. DANIEL Careful! Mark's monitor screen starts to flicker, picking up the image recorded by the NANO-BAT in Daniel's hand. ACTIVIST LEADER Okay, guys, we just got the word. Logging starts at dawn, so we better get moving if we're going to have a chance to capture this. I want them on tape. MARK The State's cred rating is about to go down, mate. DANIEL (cautious) Let's hope so. Daniel takes a pair of twisters and adjusts the BAT. The image sharpens. INT. STATE REGISTRY (VIRTUAL WORLD) - DAY Blake and CD sneak back into the registry. They cut the alarms and peek carefully inside. Everything is quiet. 0002000003BB000027843B5,A swarm of lights buzz around the file. BLAKE Who are those guys? CD Not our problem. Let's go. BLAKE Hang on, they might be on to something. She begins to follow the trail of activity. CD Oh boy, I should have brought my boots. INT. STATE MONITOR ROOM (REAL WORLD) - NIGHT A CAMERA VIEW as it pans through the bush. The DENR logo looms in the corner. Several activists come into view. A few lights start blinking, registering the activity. TECH (V.O.) (on tape) Alert. Security breach in sector four. EXT. BUSH (VIRTUAL WORLD) - NIGHT Blake treks along with the activists through the bush. Her surroundings are composed of alternating images from footage hacked from surveillance cameras in the bush. The sanctuary HUMS with the sound of countless cicadas singing in unison. As she walks Blake tries on different looks shaping her visual appearance and age. She catches her image in a pool of water. She stops and experiments with her breast size. 00020000033F00002B39339,CD They're fine! Come on... EXT. BUSH (REAL WORLD) - NIGHT The activists, invigorated with a sense of purpose keeps going. A piece of burned wood is leisurely blown past Daniel's face. He stops and smells the air. Something is burning. DANIEL Guys, wait. Something's not right. INT. STATE'S MONITOR (REAL WORLD) - NIGHT A living glob is moving toward the centre on a radar screen. EXT. BUSH (VIRTUAL WORLD) - DAWN CD bounces around Blake, gesticulating like some manic boxing referee doing the count. He occasionally pulls down information that he either hands to Blake or discards. He throws some punches in the air. CD (excited) So what are these turkeys gonna do? It's not like they can stop the State from tearing up the bush. BLAKE Maybe not, but they can warn people. CD Why would the State want them to do that? BLAKE 00020000042D00002E72427,What do you mean? Suddenly the sound of TRANSPORTERS is heard. Blake looks up amazed. State troopers are being flown in. Then her eyes widen. A DOG, with a wrap-around visor for eyes comes into view. It sniffs the air. Then several DOGS, with similar fittings, join it. EXT. BUSH (VIRTUAL WORLD) - DAWN Through their visor, the DOGS, tightly held on leashes, see the world in infra-red with humans appearing as white moving blobs. The sun has risen and the SURVEILLANCE CAMERAS reveal the state troopers as they spread out like ants and disappear into the bush. EXT. BUSH (REAL WORLD) - MORNING The TRANSPORTERS are still swirling in the air. Daniel runs up and forcefully grabs Mark by the arm. DANIEL Mark, Listen... AN EXPLOSION rings out. EXT. BUSH (VIRTUAL WORLD) - MORNING BLAKE Oh shit! Dad! The earth shakes. Chaos ensues. Dogs and state troopers scatter throughout the scenery. EXT. BUSH (REAL WORLD) - MORNING Mark stumbles to the ground. He has been shot in the shoulder. The activists flee through the scrub. Animals scurry out of the line of fire. 0002000003740000329936E,Caught in the middle of the frenzy Daniel hurls a nano-bat like a baseball. It sprouts wings and darts away. Another nano-bat hanging under a nearby branch activates. Its head-cam swivels towards Daniel, its lens re-focusing. DANIEL (to camera) Run!!! He turns around and starts running. The air is congested. Nano-bats swoop past the heads of troopers, recording the bloody scene. It's a mess of smoke and destruction. Another set of EXPLOSIONS go off. Trees, logging equipment and weapons are flung through the air. A NANO-BAT is shot down. Flames consume the scene. This is no longer sanctuary, this is hell. EXT. BUSH (VIRTUAL WORLD) - MORNING Blake follows the NANO-BATS' recording. Horrified she witnesses how Daniel is SHOT STRAIGHT IN THE HEART. His knees buckle and he falls to the ground. Then abruptly the recording is cut off. BLADE (whispering) No... no... Dad... 0002000003420000360733C,There is nothing she can do. Tears slowly form at the corner of her eye. CD appears on the screen crying his eyes out, carrying a large handkerchief he theatrically blows his nose into. BLADE (CONT'D) CD, off. She shuts him off and wipes her eye with the back of her hand. Everything is eerily quiet. As if everything has turned bleaker and older by death. EXT. BUSH (VIRTUAL WORLD) - MORNING NEWSREADER (V.O.) (on tape) Following the explosive incident earlier today in the Wirrimbirra Wildlife Sanctuary... Blake steps through the wreckage, poisonous smoke fills her eyes. Now and then she spots some remains of the greenery that has been severed on the ground. This is an abandoned wasteland, nothing lives here anymore. NEWSREADER (V.O. CONT'D) (CONT'D) (on tape) ... several people have been arrested and charged under the 0002000006C1000039436BB,NEWSREADER (V.O., CONT'D) (CONT'D) (on tape) Terrorism Act. Blake bends down to touch a smashed NANO-BAT, its inside raw and exposed. The ground next to it is blood-soaked. NEWSREADER (V.O. CONT'D) (CONT'D) (on tape) A spokesperson for the Department of Environment and Network Resources has confirmed that... A GROWLING SOUND comes out of nowhere. The earth starts to shake. Blake looks up. Suddenly a large, menacing LOGGING TRUCK breaks through the forest. Merciless, it runs down anything obstructing its path. It even runs STRAIGHT THROUGH her. It is followed by a CARAVAN of similar TRUCKS. BUSH (VIRTUAL WORLD) - DAY NEWSREADER (V.O. CONT'D) (on tape) The sanctuary has suffered irrevocable damage. Blake sprints between the trees, her features blurred. A uniformed and helmeted STATE TROOPER appears and aims his rifle at something off-screen. NEWSREADER (V.O. CONT'D) (CONT'D) (on tape) The township of Bargo has been placed on high alert as other terrorist attacks are expected. Our view accelerates towards the trooper. He swivels around, cocking his head just as we COLLIDE with his helmet. We glimpse Blake as Blade (her avatar updated as a super-hero, older and more menacing) as she launches herself at the trooper. NEWSREADER (V.O. CONT'D) (CONT'D) (on tape) ...but when the State will be attacked. The newscast abruptly CUTS OFF. Blake runs deeper into the bush that is transforming through all the landscapes seen before into the void. She stops and catches her breath. Extreme CLOSE UP of her eyes. We hear her panting. BLAKE CD, are you ready? Explosion of sound. A rising cacophony of ring-tones and voices. We are sucked back into the bush and we keep running as end credits come up. FADE OUT. THE 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Draft 0 lAction Scene Heading7Action~sTCH+ VIDEO NARRATORTEACHER BOYDANIEL BLAKE TECH MARK CDACTIVIST LEADER BLADE NEWSREADERsTCE (V.O.) (O.S.) (O.C.) (CONT'D) (SUBTITLE) (V.O. CONT'D)(V.O., CONT'D)sTTR Cut To: Fade In: Fade Out. Fade To: Dissolve To: Back To: Match Cut To: Jump Cut To:Fade To Black.sTSI=IntExtI/E BUSH (REAL WORLD)WIRRIMBURRA (REAL WORLD)CLASSROOM (REAL WORLD)"STATE REGISTRY (VIRTUAL WORLD) BLAKE'S BEDROOM (REAL WORLD)%!STATE'S MONITOR ROOM (REAL WORLD)ACTIVISTS' HQ (REAL WORLD)#STATE MONITOR ROOM (REAL WORLD)BUSH (VIRTUAL WORLD) STATE'S MONITOR (REAL WORLD) THE END.sTST2 Day Night Afternoon Morning Evening Later Moments Later Continuous The Next DayDAY (FLASHFORWARD)DAY (PRESENT DAY)DAWNmCRO9INTINT. Scene Heading01119EXTEXT. Scene Heading01128I/EI/E Scene Heading0113@DAY - DAY Scene HeadingAction0114DNIGHT - NIGHT Scene HeadingAction0115HSUNRISE - SUNRISE Scene HeadingAction0116DMAGIC - MAGIC Scene HeadingAction0117GCONT continuing ParentheticalDialogue0118JINTER interrupting ParentheticalDialogue0119$0110GCUTTOCUT TO: Transition Scene Heading1111EFADEINFADE IN:Action Scene Heading1112KFADEOUT FADE OUT. Transition Scene Heading1113IFADETOFADE TO: Transition Scene Heading1114MDISSLV DISSOLVE TO: Transition Scene Heading1115IBACKTOBACK TO: Transition Scene Heading1116PMATCHCUT MATCH CUT TO: Transition Scene Heading1117NJUMPCUT JUMP CUT TO: Transition Scene Heading1118BFBLACKFADE TO BLACK. Transition1119$1110 FFFF000000060002000177AA000000000054000000002000110000001-7F7C6F000480048-20F0-10 F253FFFF0102000010000003200000001038405AF20A20388000203F20A0000200000007000000003,[].00040000000C00000003023530005000000090000000201500006000000F00000000430C310FFFF0C00000 10 10930FFFF0C00000 20 10C201020040FFFF0C00000 1079F274012222BC6C010930FFFF0C00000 1079F2740 00070000003A00000002010180205A490 1018000080000012F0000000240,Geneva40,4030 3040,Courier Final Draft40,407010 30000900000005000000020000A00000013000000020F2530F253000B00000005000000020000C0000000A0000000101000F0000005500000000400 10 104,014,A04,5{4,4,4,4, 00130000007E00000000DA91F8CE1C1D1E1F7F1B044,-..'"FFFF0FFFF0012800000009000000015001290000000900000001500014000000AE00000000222BC6C5C1DE20421222BC7002C,E,42,>Page #9ytS<пۘFFFE000000060002000177AAD7FFFF000000060002000177AA000000000050000000002000110000001-7F7C6F000480048-20C0-10 C253FFFF01000010000003100000001018405AC20A038E000203C20A0000200000005000000001, 0004000000090000000201300005000000090000000201300006000000650000000210C310FFFF0C00000 10 10930FFFF0C00000 30 00070000003A00000002010180205A490 1018000080000012F0000000240,Geneva40,4030 3040,Courier Final Draft40,407010 30000900000005000000020000A00000013000000020C2530C253000B00000005000000020000C0000000B00000001071000F0000005500000000400 10 104,77A4,4,04,184,4,]4,00130000007E00000000DA91F8CE1C1D1E1F7F1B044,-..'"FFFF0FFFF001280000000900000001300129000000090000000130FFFE000000060002000177AADrVIS+First Revision*,Second Revision*+Third Revision*,Fourth Revision*.sNTE! Important!# Information?" Suggestion*?Courier Final Draft (MORE)(CONT'D) (CONTINUED) CONTINUED:aCTR 9Man 1$Pmtk39Man 2$0mtk3;Woman 1$pgala;Woman 2$pmtk39Boy 1$Pmtk39Boy 2$pmtk3:Girl 1$pmtk3:Girl 2$pmtk3;Old Man$0mtk3)= Old Woman$pgala,eE9 CHARACTERDIALOGUEo5 Helvetica AjW?Courier Final Draft 6 Cast List.  - FFFF000000060002000177AA000000000064000000002000110000001-7F7C6F000480048-24F271200123-10720271273FFFF01074000010000003B000000010D58404F6827122BC4038E00026368271F000002000000DA00000000D5, SANCTUARY by Michela Ledwidge Revisions by Ann-Kristin Glenster Current Revisions by Michela Ledwidge, 20040615 (c) 2004 MOD Films Ltd. 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