żżżż™½’’’’’’’’2Final Draft, Inc. Final Draftōō’’’’’’’’Ć.FFFF000000060002000177AA000000000086000000002000110180491000Ā480048-252285A200B4-1‚25D625DA25D625DA10AC0‚‚640064729285A28DFFFF0‚‚102800‚‚1E8E00001000003350000000C02EA40840‚‚52951422562D003CC0001369514214402EA58B840‚‚1429523E25628403CE00022612523E1E9058BAB7840‚‚23E954C825651303CC0014BC954C813D0AB716DF40840‚‚4C895C04256C1F03CC003BF8DDC04115016DF1A1C40840‚‚C0495E9A24730C03CE004E8295E9A1E501A1C20A240840‚‚E9A95125125566D03CE0051245DD1251185020A227CC40840‚‚125195174025570403CC00717349517401A6027CC335240840‚‚1740951ED1256B7603CE0091EC5FA1ED11630335236CC840‚‚1ED195218B24E34903CE00A217395218B1E5036CC3AC5840‚‚218B9523E424E3E603CE00B23D8DD23E415B03AC53DFA840‚‚23E495254025532C03CC00B2534952540CD03DFA4412840‚‚261A95285A24E611038E00C284295285AC600002000002F0000000002EA,FADE IN: EXT. BUSH (REAL WORLD) - DAY (FLASH FORWARD 24 HRS) We glide through fire-ravaged scrub and wrecked logging equipment. We hear a teenage girl's unsteady breathing as if in shock. Fire has transformed dense bush into hell. Dogs are barking nearby. A rising cacophony of ring-tones and voices. Disoriented, we don't know if we are running away from or straight into carnage. A surveillance camera turns in its mount to reveal markings identifying it as the property of the Department of Environment and Network Resources (DENR). The area it surveys is devastated. EXT. BUSH (REAL WORLD) - DAY The same area of bush is now pristine. We watch a slick corporate presentation - one an oil company might use to sell its environmental policy. 0002000002A7000002EA2A1,VIDEO NARRATOR (V.O.) We learn from the past and build on our rich heritage for our future. The preservation of our wonderful natural environment is a fundamental part of our strategy. INT. CLASSROOM (REAL WORLD) - DAY Sixteen-year-old BLAKE HARKEN sits watches the presentation on a large screen down the front of the class. There is a personal screen on each desk showing a web view of the presentation. On the personal screens, extra info like topographical lines and mapping information is traced out over the landscape, labelling natural features and referencing GIS data. BEEFY, the class bully, sculls a can of soft drink behind Blake. VIDEO NARRATOR (V.O. CONT'D) 0002000005320000058B52C,This is a sustainable society. Blake glances around the room. Everyone looks bored. VIDEO NARRATOR (V.O.) (CONT'D) With your support, the State will find new ways to reduce our impact, making places like this a treasure for generations to come. Beefy punctuates the commentary with a loud burp. A few giggles. Blake glances back at the TEACHER, talking to someone in the hallway outside. Beefy sticks his chin out thinking Blake is looking at him, then realises his mistake. BEEFY BOY (whispering) Hey... Nerd. Blake blanks him. She frowns at her screen instead. VIDEO NARRATOR (V.O.) Visit the D.E. N. R. today and talk to one of our careers advisors about how you can make a difference. The future is in your hands. Blake surreptitiously unplugs and re-connects her screen's power supply as the video credits roll. As it re-boots she pulls a small device out of her jacket and holds it in a fist her lap under the desk. She taps her foot rhythmically. The device glows between her fingers. Blake doodles a crude stick figure (CD) onto her screen, over DENR branding and contact info, using her pen tablet. Blake grins as CD, her Customised Dude, comes to life. CD is a software agent - part virtual pet, part hacking tool. He can twist and turn, with the most fluid motions, into the most far-fetched contortions. 000200000C2E00000AB7C28,On Blake's screen, CD warms up with stretches as the video rewinds to the aerial bush view seen already. Blake's device glows rhythmically through her fingers. The satellite view pulls back to show that the bush is a tiny island in a sea of urban sprawl and development - like Asterix's village in the midst of the Roman Empire. The TEACHER breaks off conversation and runs up the front of the class, throwing a nervous glance to a SURVEILLANCE WEBCAM in the corner of the ceiling. Urban sprawl fills the main screen. Blake smiles innocently, unaware that class-mates behind her are staring at her screen, trying to work out what she's done. TEACHER (nervously) Blake? Get out! BEEFY Nice one, geek girl. The screen behind the teacher dissolves into a rude finger gesture. The entire class laughs. Blake stands up, unrepentent. INT. STATE MONITOR ROOM (REAL WORLD) - DAY Blake's mugshot is onscreen. Her State file is accessed. CCTV from school corridors, CCTV of her blading through traffic. References to her father being an ex-con, academic and author of works such as "Information Warfare vs Surveillance", "Fear, Uncertainty, Bugs" and "Software Agent Tactics". TEACHER (V.O.) (over the phone) Mr. Harken, keep her under control. If this happens again, I'll have to report it. I have no choice. DANIEL (V.O.) (over the phone) It won't happen again. INT. BLAKE'S BEDROOM - EVENING A mass of books and disks are on her desk. One disk has CD (the guy) graffiti alongside official health warnings "Federal Reactive Agent - Non Classified - Alpha Source". Angry music blares. DANIEL HARKIN, a dishevelled academic in his late thirties, confronts his daughter Blake. DANIEL What the hell is your problem?! Blake pretends she can't hear as she takes off her boots. DANIEL (CONT'D) What were you thinking? BLAKE Since when do you give a shit... DANIEL Watch your mouth. This is going to get us all in trouble. You ever think about that? BLAKE (sarcastic) Don't worry Dad. It's nothing to do with you. DANIEL Oh really? So where did all this come from? Tooth fairy? Computer hardware is crammed under the desk. A monitor, on its side, displays a live feed of Daniel from a small ceiling-mounted web-cam/wireless device (Blake's RIG). BLAKE Give me a break. You're the one who says - tell the truth. Blake leaps off the bed and starts tidying up around Daniel. Her room is a mess of teenage paraphernalia, geek references and wildlife posters. She grabs a book referenced in Dad's file. DANIEL You've been in my files. BLAKE No I haven't. DANIEL You took something. What was it? BLAKE I didn't! I didn't take anything! DANIEL If I ever catch you mucking around with my stuff... BLAKE Stop treating me like some dumb kid! Blake casually hides the CD (of CD) under a pile of junk. DANIEL Well you bloody well act like one. BLAKE Get out of my room! Daniel flaps his arms at the RIG, trying to issue a command. Blake watches his clumsy attempts with bemusement. She makes a simple gesture. The RIG recognises it. The music stops. DANIEL (grabbing a chair) That's it. You're grounded. I'm taking the RIG. 000200000343000016DF33D,BLAKE You wouldn't dare! Daniel climbs onto the chair and reaches up to disconnect the RIG. His phone starts ringing. DANIEL Try me.. Shit... He climbs back down. DANIEL (CONT'D) I'm not finished with you. (leaving room) Don't do anything stupid. As he closes the door, Blake violently throws a boot at it. BLAKE Go to hell! INT. HALLYWAY - EVENING Daniel pauses just outside the door and listens. The music restarts. Daniel looks worn. It's all too hard. INT. BLAKE'S BEDROOM (VIRTUAL WORLD) - EVENing Blake slumps against door and rolls her eyes back. EXT. BUSH (REAL WORLD) - EVENING A DENR surveillance camera adjusts focus in response to movement. A round metallic baseball-size object is unclipped from the underside of a tree branch, examined then put back in position. INT. STATE'S MONITOR ROOM (REAL WORLD) - EVENING 00020000068C00001A1C686,The monitor, watermarked with the DENR logo, is recording the previous action in the bush. One of several recorded views of the State. Snippets of voice recordings are heard. Static transition to a view outside an industry depot as a van with environmental activist stickers pulls inside. Omitted[] INT. ACTIVIST SPACE (REAL WORLD) - EVENING This is the organising space for a group of ACTIVISTS. The van parks. Several bikes are also inside. Propaganda materials, flags, banners, are spread out everywhere. Daniel nurses a headache and sips herbal tea. With difficulty he locates the right recycling bin for his tea-bag in the myriad of labels: COMPOST, GLASS, COLOURED GLASS, PAPER, COLOURED PAPER, TIN, WOOD, PLASTIC, FABRIC etc. With his tea, Daniel walks over to MARK, a nerdy computer geek, at a workbench piled high with electronics and computer hardware. MARK (playfully) Mr. Harken, we've been expecting you... Hey howse Blake? DANIEL Don't ask. Omitted[] INSERT. STATE USER INTERFACE A mouse pointer clicks on a folder. It opens, a LOUD SIREN wails. DIssolve To: INT. STATE REGISTRY (VIRTUAL WORLD) - EVENING Blake is a tiny figure, in socks no shoes, in the midst of a virtual filing system. RED LIGHTS flash. A CRASH from above. She looks up, from rifling through an open official-looking filing cabinet. A trick of papers rains down. She starts to flick through them at great speed. She should obviously not be here. BLAKE CD! You muppet! CD drops to the floor near Blake, papers tucked under his arm. He's larger and less cuddly "in the flesh", a little unhinged. BLAKE (CONT'D) We really pissed them off with that photo. CD Your wish is my command. 000200000730000020A272A,Blake gestures "Gimme" without looking up. CD smirks, shrinks to her size and flicks through his papers, loudly clearing his throat. BLAKE Too much info CD. I said give me the low-down. CD Then come and get it! En garde baby! CD brandishes a rolled-up file at Blake. As he lunges at her, Blake grabs the paper and swats CD away. CD (O.S.) (CONT'D) Spoil-sport! BLAKE (reading paper) Hang on... this is dodgy. Check this out... Blake quickly skims through the papers, her cheeks reddening as she reads. CD impatiently taps his foot nearby. CD Leave it alone boss. Let's play!! A shaft of illuminating light from an AUTOMATIC VIRUS SCAN appears. CD and Blake immediately understand that this means danger and press up flat against the cabinets. The scan comes in between them. Blake closes her eyes and grimaces. BLAKE (under her breath) Shit... Then just as the beam is about to cut into her, she opens her eyes and throws papers simultaneously in two directions. The scan reacts to the movement and splits its beam in two. One cuts under Blake's feet, the other right over her head. The scan disappears. BLAKE (CONT'D) Hey! You trying to get me busted? CD makes a face at Blake as she moves off. Sirens WAIL louder. CD Hang on... (pointing) File. BLAKE Leave it. People should know about this. CD Someone's gonna trip on it. BLAKE That's the idea dude... They run off. Logging plans, for the Sanctuary, lie scattered on the ground. INT. ACTIVIST SPACE (REAL WORLD) - EVENING Several ACTIVISTS hurry about, getting gear ready for direct action. The place buzzes with more excitement than before. Print-outs of the Registry logging file are laid out on a workbench. Several round objects (NANOBATS) act as paperweights. Mark bumps the table. A nanobat rolls off the table near Daniel, deep in thought. He catches it in time. 000200000B8C000027CCB86,DANIEL (to Mark) Careful! A monitor flickers to life on the workbench, displaying a view from the NANO-BAT in Daniel hand. MARK Hey it verks! Daniel gestures for Mark to hand him pliers (like Blake gestured to CD). Daniel adjusts the device. The monitor image sharpens. DAD They'll start clearing at dawn. We better hurry. MARK Who tipped us off? DAD Dunno but it seems legit. INT. BEDROOM (REAL WORLD) - EVENing Blake lies on the floor, her head leaning against the wall near the door. Her eyes flicked behind closed eyelids as if in REM sleep. On the bedroom monitor stashed on its side under the desk, the Registry file is being hit by light beams, denoting WEB REQUESTS. BLAKE (O.S.) Wow that was quick. Who found the file? CD is now on the monitor screen, banging against the inside of the screen, looking out angrily. CD Hey buddy, we are gonna get busted. Let's go Blake. Blake stirs, she isn't asleep, she's connected to the RIG BLAKE (with wry smile) Yeah right. CD (O.S.) Oh boy. I shoulda brought me bush boots. INT. STATE MONITOR ROOM (REAL WORLD) - DAWN CAMERA VIEWS, watermarked as DENR, pan through the bush. The activists appear on one screen. Its GUI activates in response. TECH (V.O.) Right on cue. Call it in. EXT. BUSH (VIRTUAL WORLD) - DAWN It looks like Blake is trekking through the bush with activists. Blake mimics Dad and makes fun of him, from cyberspace. One camera is in a burnt-out tree hollow. BLAKE (V.O.) Dad... I should have known. INT. BLAKE'S SPACE (VIRTUAL WORLD) - DAWN Blake "walks" in the void surrounded by a messy arrangement of floating panels. One panel shows the State Registry where Blake and CD were - a vast online warehouse structured like a hard drive. Other panels show footage hacked from surveillance cameras in the bush. Blake peers into a pool of water in a panel that reflects how she appears in the void. CD hangs off the panel. Her reflection transforms into different looks - "too cool for school" punk, same outfit but older, same outfit larger breast size. CD (O.S.) They're fine! Come on... Omitted[] EXT. BUSH (REAL WORLD) - MORNING The activists, invigorated with a sense of purpose trek onwards. Morning breaks. Cicadas burst into song. MARK I don't get it. Where's the logging? Daniel switches off his torch, stops, and sniffs the air. DANIEL Something's burning. INT. STATE'S MONITOR (REAL WORLD) - MORNING A living glob is moving toward the centre on a radar screen. EXT. BLAKE'S SPACE (VIRTUAL WORLD) - MORNING CD bounces around Blake, gesticulating like some manic boxing referee doing the count. On-screen Dad sniffs again and again in a loop. Blake absentmindedly draws bunny ears on him with a finger. CD throws some punches in the air. CD (excited) If the State wants to wreck this place, what are these turkeys going to do? They can't stop it. BLAKE Yeah but they're activists... that's what they do. CD And how come the State's letting them? BLAKE (thinking hard) 0002000003800000335237A,It must be a trap. EXT. BUSH (REAL WORLD) - MORNING Suddenly the sound of TRANSPORTERS is heard. The activists look up amazed. A phone rings. Omitted[] EXT. BLAKE'S SPACE (VIRTUAL WORLD) - MORNING Blake creeps forward, frowning. Void transforms to bush around her. BLAKE Answer your fucking phone! EXT. BUSH (VIRTUAL WORLD) - MORNING State Troopers lie in wait in the bush. They remove ID badges. An EXPLOSION rings out. The troopers storm out of hiding. EXT. BUSH (REAL WORLD) - MORNING A logging vehicle is in flames. Activists flee. Daniel runs up and forcefully grabs Mark by the arm. DANIEL Run... EXT. BLAKE'S SPACE (VIRTUAL WORLD) - MORNING Blake recoils in horror. In a panel she sees a trooper detonate an EXPLOSION by remote. BLAKE Dad! Around her, in the panels, chaos ensues. The earth shakes. EXT. BUSH (REAL WORLD) - MORNING Activists flee through the scrub. Mark is shot. 0002000003FF000036CC3F9,Daniel breaks away from the group and hurls a nano-bat like a baseball into the air. It sprouts wings and darts away. Another nano-bat hanging under a nearby branch wakes. Its head-cam swivels towards Daniel as he runs away, its lens re-focusing. DANIEL (to camera) The State is behind this. They're killing us! The nanboat drops from the branch into the air. More nanobats activate and look at each other - the low-fi activist surveillance network, The air is congested. Nano-bats swoop past the heads of troopers, recording the bloody scene. It's a mess of smoke and destruction. No longer a sanctuary, this is hell. A NANO-BAT is shot down. EXT. BUSH (VIRTUAL WORLD) - MORNING As Dad runs, a trooper aims. Dad is shot. His knees buckle and he falls to the ground. Flames consume the scene. Nanobats fly by. EXT. BLAKE'S SPACE (VIRTUAL WORLD) - MORNING Each nanobat webcast appears as a new panel in the void. Blake sees Daniel get SHOT STRAIGHT IN THE HEART in a panel. BLAKE (whispering) No... no... Dad... 00020000033B00003AC5335,Blake watches helplessly from the void. There is nothing she can do. Dad's phone keeps ringing. Tears slowly form at the corner of her eye. The recording is cut off. CD strains to peer past Blake, like a rubbernecking motorist cruising past a car wreck. BLAKE (CONT'D) CD, off. She shuts him off and wipes her eye with the back of her hand. Everything goes eerily quiet. As if everything has turned bleaker and older by death. EXT. BUSH (VIRTUAL WORLD) - MORNING NEWSREADER (V.O.) (on tape) Following the explosive incident earlier today in the Sanctuary several more people have been arrested and charged with aiding the terrorists. Blake wanders through the wreckage still smouldering. This is an abandoned wasteland, nothing lives here anymore. She bends down to touch a smashed NANO-BAT, its inside raw and exposed. 00020000061E00003DFA618,NEWSREADER (V.O. CONT'D) (CONT'D) (on tape) A spokesperson for the Department of Environment and Network Resources has confirmed that the sanctuary has suffered irrevocable damage. None of the terrorists survived. A GROWLING SOUND comes out of nowhere. The earth starts to shake. Blake looks up. A large, menacing LOGGING VEHICLE bears down on her. It runs STRAIGHT THROUGH her. Logging sounds start up through as Blake seethes. Ext. BUSH (VIRTUAL WORLD) - DAY Movement through the scrub (as per the beginning but the image is fragmented). Blake in her new guise as BLADE - a ghostly figure - darts through the trees and quickly out of view. A uniformed and helmeted STATE TROOPER appears and aims his rifle at three terrified activists huddled together. NEWSREADER (V.O. CONT'D) (on tape) The township has been placed on high alert as other attacks are expected but when the State will be attacked... Our view accelerates towards the trooper. He swivels around, cocking his head just as we COLLIDE with his helmet. BLADE, Blake's new avatar, older, more menacing, launches herself at him. The newscast abruptly CUTS OFF. Blade looks back at the activists. Then off she runs into the bush. Our view breaks up and merge with the void of Blake's space. Extreme CLOSE UP of Blade's eyes. We hear her breathing and heart racing, then an explosion. BLAKE CD... let's go... we've got work to do. A rising cacophony of ring-tones and voices. We are sucked back into the opening sequence as the credits roll - a 24 hour loop that will stay with Blake forever. THE 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ACTIVIST SPACE (REAL WORLD) - EVENING 00040000000A00000002012D100050000000F00000003012B02D00006000000750000000210C30‚‚ĮFFFF0‚C00000Ā 20ĀĮ ‚‚Į‚10930‚-20ĮFFFF0‚C00000Ā 10ĀĮ-10Į 10‚‚Į‚000700000040000000020Ā‚20Ā180‚Į‚-26C370ĀC0Ā‚10Ā180‚Į‚0008000001550000000240,System40,4014E44000701‚0Ā101040,Courier Final Draft40,104070114E40‚701‚0Ā30000900000005000000020Ā000A00000015000000020‚241130‚24113000B00000005000000020Ā000C0000000F000000012B0Ā20‚1000E000000060000000102B000F0000005500000000400Ā 10Ā ‚10ĀĮĀĮ‚‚ĮĀ4,4,4,77A4,4,6..4,014,0‚00130000007E00000000DA91F8CE1C1D1E1F7F1B044,-.¶µ•µ„„.'"‘’“”…ƒFFFF0FFFF001280000000A000000012D‚0Į‚01290000000A000000012D‚0Į‚FFFE000000060002000177AA4¬¬Øؙ™o‘’’’’CŽmī%˜‘o7U4ņ”ņ?!Uī%˜”ņxŻķ0014000007C300000000199A385C8C207510199A3C0Į2C,E,758,T FFFF000000060002000177AA00000000005D0000000020001101-767C6F00800000‚‚480048-207820034-1‚0Ā 78113FFFF0‚‚10Ā113000010000003100000001011340810‚Ā78113038E0006C0780‚00020000011900000000113,INT. STATE REGISTRY (REAL WORLD) - EVEning A DENR WORKER whistles as he pushes a trolley along a library stack corridor. It looks like a digital tape library. He pauses, wondering if he heard something. He moves on. We ZOOM into one of the cables running along the corrider. 00040000001000000003012B2115200050000001600000004012B2113011500006000000A40000000320C30‚‚ĮFFFF0‚C00000Ā 20ĀĮ ‚‚Į‚10930‚-20ĮFFFF0‚C00000Ā 10ĀĮ-10Į‚‚Į‚10930‚-30ĮFFFF0‚C00000Ā 10ĀĮ ‚‚Į‚000700000067000000030Ā‚20Ā180‚Į‚-26C370ĀC0Ā‚10Ā180‚Į‚-36C370ĀC0Ā‚10Ā180‚Į‚0008000001550000000240,System40,4014E44000701‚0Ā101040,Courier Final Draft40,104070114E40‚701‚0Ā30000900000005000000020Ā000A00000015000000020‚781130‚78113000B00000005000000020Ā000C00000010000000011130Ā90‚1000E00000007000000010113000F0000005500000000400Ā 10Ā ‚10ĀĮĀĮ‚‚ĮĀ4,4,77A4,7..4,4,4,014,6400130000007E00000000DA91F8CE1C1D1E1F7F1B044,-.¶µ•µ„„.'"‘’“”…ƒFFFF0FFFF001280000000B00000001115‚0Į‚01290000000B00000001115‚0Į‚FFFE000000060002000177AA4¬¬Øؙ™o‘’’’’CŽmŽ‘o7U4ņ”ņ?!UŽ”ņšś00140000066500000000199A4C5C8C205C10199A500Į2C,E,5FA,ö®FFFF000000060002000177AA00000000005C0000000020001101-767C6F00800000‚‚480048-201820034-1‚0Ā 18113FFFF0‚‚10Ā2100001000000310000000102140810‚Ā1811321038E000C0180‚0002000000260000000021,EXT. BUSH (VIRTUAL WORLD) - DAWN 00040000000A000000020123100050000000F000000030121023000060000006F0000000210C30‚‚ĮFFFF0‚C00000Ā 20ĀĮ ‚‚Į‚10930‚-20ĮFFFF0‚C00000Ā 10ĀĮ-10Į‚‚Į‚000700000040000000020Ā‚20Ā180‚Į‚-26C370ĀC0Ā‚10Ā180‚Į‚0008000001550000000240,System40,4014E44000701‚0Ā101040,Courier Final Draft40,104070114E40‚701‚0Ā30000900000005000000020Ā000A00000015000000020‚181130‚18113000B00000005000000020Ā000C000000120000000121‚‚C7A10‚1000E0000000600000001021000F0000005500000000400Ā 10Ā ‚10ĀĮĀĮ‚‚ĮĀ4,Š14,4,4,77A4,Ąńb4,10.4,000130000007E00000000DA91F8CE1C1D1E1F7F1B044,-.¶µ•µ„„.'"‘’“”…ƒFFFF0FFFF001280000000A0000000123‚0Į‚01290000000A0000000123‚0Į‚FFFE000000060002000177AA4¬¬Øؙ™o‘’’’’CŽm’,˜‘o7U4ņ”ņ?!U’,˜”ņ Ć00140000070400000000199A545C8C206990199A580Į2C,E,699,•MFFFF000000060002000177AA0000000000490000000020001101-7E7C6B000Ā480048-20‚Į-1‚0Ā 64FFFF0‚‚10Ā4E00001000000160000000104E40810‚ĀĮĀ000200000053000000004E,EXT. BUSH (VIRTUAL WORLD) - MORNING We creep towards a rustle in the bushes. 00040000001900000005012422634D250200050000001400000004012424E05000006000000DF0000000420C30‚‚ĮFFFF0‚C00000Ā 20ĀĮ ‚‚Į‚10930‚-20ĮFFFF0‚C00000Ā 10ĀĮ-10Į‚‚Į‚10930‚-30ĮFFFF0‚C00000Ā 20ĀĮ30‚‚Į‚10930‚-30ĮFFFF0‚C00000Ā 10ĀĮ ‚‚Į‚000700000067000000030Ā‚20Ā180‚Į‚-26C370ĀC0Ā‚10Ā180‚Į‚-36C370ĀC0Ā‚10Ā180‚Į‚0008000001550000000240,System40,4014E44000701‚0Ā101040,Courier Final Draft40,104070114E40‚701‚0Ā30000900000005000000020Ā000A0000000F000000020‚64‚0‚64‚000B00000005000000020Ā000C0000000D000000014E0Ā‚‚1000E000000060000000104E000F0000005500000000400Ā 10Ā ‚10ĀĮĀĮ‚‚ĮĀ4,4,014, a r4,4,€4,˜4,00130000007E00000000DA91F8CE1C1D1E1F7F1B044,-.¶µ•µ„„.'"‘’“”…ƒFFFF0FFFF001280000000A0000000150‚0Į‚01290000000A0000000150‚0Į‚FFFE000000060002000177AA4¬¬Øؙ™7UH÷Ø÷?!UØ÷€ųFFFE000000060002000177AA’’’’’’’’Dˆˆˆˆˆˆ’’’’’’’’’’’’’’’’’’’’’’’’ E’’’’’’’’ '’’’’’’’’«FFFF000000060002000177AA00000000004F0000000020001101-7F7C6F000Ā480048-20F0Į-1‚0Ā F253FFFF0‚‚1020Ā0001000000320000000103840‚‚‚5AF20A20388000‚203F20A0000200000007000000003,[].00040000000C0000000302‚3530005000000090000000201500006000000EF0000000430C310‚‚ĮFFFF0‚C00000Ā 10ĀĮ ‚‚Į‚10930‚‚ĮFFFF0‚C00000Ā 20ĀĮ ‚‚Į‚10C201020040ĮFFFF0‚C00000Ā 10‚‚43E160012199A640Į‚‚Į‚10930‚‚ĮFFFF0‚C00000Ā 10‚‚79F2740ĀĮ ‚‚Į‚00070000003A000000020Ā‚10Ā180‚Į‚205A490Ā ‚10Ā180‚Į‚0008000001550000000240,Geneva40,Times New Roman1240314E40‚701‚0Ā101040,Courier Final Draft40,104070114E40‚701‚0Ā30000900000005000000020Ā000A00000013000000020‚F2530‚F253000B00000005000000020Ā000C0000000A000000010Ā‚‚1000F0000005500000000400Ā 10Ā ‚10ĀĮĀĮ‚‚ĮĀ4,77A4,4,4,4,4,A@4,`@D00130000007E00000000DA91F8CE1C1D1E1F7F1B044,-.¶µ•µ„„.'"‘’“”…ƒFFFF0FFFF0012800000009000000015‚0Į‚012900000009000000015‚0Į‚0014000000AC00000000199A645C1DE204211C0FA80Į2C,E,42,>Page #9Œæ’Śy°œtSŗŲæ’Ū\‡ėŠæ’ŚøFFFE000000060002000177AA’’’’’’’’Dˆˆˆˆˆˆ’’’’’’’’’’’’’’’’’’’’’’’’XFFFF000000060002000177AA00000000004B0000000020001101-7F7C6F000Ā480048-20C0Į-1‚0Ā C253FFFF0‚‚10Ā0001000000310000000101840‚‚‚5AC20A038E000‚203C20A0000200000005000000001, 0004000000090000000201300005000000090000000201300006000000650000000210C310‚‚ĮFFFF0‚C00000Ā 10ĀĮ ‚‚Į‚10930‚‚ĮFFFF0‚C00000Ā 30ĀĮ ‚‚Į‚00070000003A000000020Ā‚10Ā180‚Į‚205A490Ā ‚10Ā180‚Į‚0008000001550000000240,Geneva40,Times New Roman1240314E40‚701‚0Ā101040,Courier Final Draft40,104070114E40‚701‚0Ā30000900000005000000020Ā000A00000013000000020‚C2530‚C253000B00000005000000020Ā000C0000000B000000010Ā7‚1000F0000005500000000400Ā 10Ā ‚10ĀĮĀĮ‚‚ĮĀ4,77A4, 4,S.š4,4,’’4,014,000130000007E00000000DA91F8CE1C1D1E1F7F1B044,-.¶µ•µ„„.'"‘’“”…ƒFFFF0FFFF0012800000009000000013‚0Į‚012900000009000000013‚0Į‚FFFE000000060002000177AA’’’’’’’’Dˆˆˆˆˆˆ’’’’’’’’’’’’’’’’HH$$’’’’’’’’.č’’’’’’’’’’’’’’’’ "’’’’’’’’ =1’’’’’’’’;Z2’’’’’’’’£Å3’’’’’’’’ õ 4’’’’’’’’"5’’’’’’’’&>6’’’’’’’’©Ų6A’’’’’’’’ -7’’’’’’’’ė8’’’’’’’’=G8A’’’’’’’’Gr9’’’’’’’’Łć9A’’’’’’’’ć9B’’’’’’’’P~10’’’’’’’’&E&p11’’’’’’’’)J)n12’’’’’’’’+Ń+ż13’’’’’’’’,Ÿ,Ą14’’’’’’’’--·14A’’’’’’’’/Ų/ā14B’’’’’’’’/ć015’’’’’’’’0ļ116’’’’’’’’1X1…17’’’’’’’’3e3†17A’’’’’’’’3ą3ź18’’’’’’’’3ź418A’’’’’’’’4|4 18B’’’’’’’’55:19’’’’’’’’5®5Ū20’’’’’’’’6z6›21’’’’’’’’9T9x22’’’’’’’’9ś:'22A’’’’’’’’Page #9Œæ’Śąy°œtSŗŲæ’Ü<‡ėŠæ’Ū˜FFFE000000060002000177AA’’’’’’’’Dˆˆˆˆˆˆ’’’’’’’’’’’’’’’’’’’’’’’’XFFFF000000060002000177AA00000000004B0000000020001101-7F7C6F000Ā480048-20C0Į-1‚0Ā C253FFFF0‚‚10Ā0001000000310000000101840‚‚‚5AC20A038E000‚203C20A0000200000005000000001, 0004000000090000000201300005000000090000000201300006000000650000000210C310‚‚ĮFFFF0‚C00000Ā 10ĀĮ ‚‚Į‚10930‚‚ĮFFFF0‚C00000Ā 30ĀĮ ‚‚Į‚00070000003A000000020Ā‚10Ā180‚Į‚205A490Ā ‚10Ā180‚Į‚0008000001550000000240,Geneva40,Times New Roman1240314E40‚701‚0Ā101040,Courier Final Draft40,104070114E40‚701‚0Ā30000900000005000000020Ā000A00000013000000020‚C2530‚C253000B00000005000000020Ā000C0000000B000000010Ā7‚1000F0000005500000000400Ā 10Ā ‚10ĀĮĀĮ‚‚ĮĀ4,77A4,4,04,184,‚Į‚4,Å]ū4,š‰00130000007E00000000DA91F8CE1C1D1E1F7F1B044,-.¶µ•µ„„.'"‘’“”…ƒFFFF0FFFF0012800000009000000013‚0Į‚012900000009000000013‚0Į‚FFFE000000060002000177AA’’’’’’’’Dˆˆˆˆˆˆ’’’’’’’’’’’’’’’’¼rVISü’’’’’’’’ā’’’’’’’’+First Revision’’*’’’’’’’’,Second Revision’’*’’’’’’’’+Third Revision€€€€*’’’’’’’’,Fourth Revision’’’’*.’’’’’’’’’’’’’’’’æEsNTE ’’’’’’’’Ž’’’’’’’’! Important!’’’’’’’’# Information?’’’’’’’’" Suggestion*’’’’’’’’Š’’’’’’’’?Courier Final Draft ’’’’’’(MORE)(CONT'D) (CONTINUED) CONTINUED:’’’’’’’’Č’’’’’’’’¼’’’’’’’’’’’’’’’’¢’’’’’’’’¦’’’’’’’’Ø’’’’’’’’•’’’’’’’’½’’’’’’’’’’’’’’’’+’’’’’’’’-’’’’’’’’0’’’’’’’’8’’’’’’’’’’’’’’’’ƒ’’’’’’’’Ž’’’’’’’’% ’’’’’’’’% ’’’’’’’’%›’’’’’’’’%ŗ’’’’’’’’%Ö’’’’’’’’%ų’’’’’’’’(š’’’’’’’’)5’’’’’’’’’’’’aCTRĀ ’’’’’’’’9Man 1’’’’’’’’$ˆ®Pmtk3’’’’’’’’9Man 2’’’’’’’’$ˆ®0mtk3’’’’’’’’;Woman 1’’’’’’’’$ˆ®pgalaČ’’’’’’’’;Woman 2’’’’’’’’$ˆ®pmtk3’’’’’’’’9Boy 1’’’’’’’’$ˆ®Pmtk3’’’’’’’’9Boy 2’’’’’’’’$ˆ®pmtk3’’’’’’’’:Girl 1’’’’’’’’$ˆ®pmtk3’’’’’’’’:Girl 2’’’’’’’’$ˆ®pmtk3’’’’’’’’;Old Man’’’’’’’’$ˆ®0mtk3)’’’’’’’’= Old Woman’’’’’’’’$ˆ®pgala,’’’’’’’’e’’’’’’’’E’’’’’’’’9’’’’’’’’ CHARACTER’’’’’’’’DIALOGUE’’’’’’’’’’’’’’’’o’’’’’’’’5 Helvetica ’’’’’’’’’’’’’’=~z’’’’’’’’W’’’’’’’’?Courier Final Draft ’’’’’’6 Cast List.  - ’’’’’’’’FFFF000000060002000177AA00000000006A0000000020001101-777C6F000Ā480048-24F20120076-1‚393C393C0Ā7F2201356FFFF0‚‚10Ā5B000010000003E000000010B3840‚‚4F13A20130EA903880001F31722011C200002000000B800000000B3, SANCTUARY by Michela Ledwidge Current Revision v4.8 by Michela Ledwidge, 20050311 (c) 2005 MOD Films Ltd. All rights reserved 9 Wyndham Street W1H 1DB London UK000400000067000000150243E41161841962143963D4416484496514635927995A27A55A67A95B55000500000013000000040142901B5000060000019B0000000840C310‚‚ĮFFFF0‚C00000Ā 10ĀĮ ‚‚Į‚10930‚‚ĮFFFF0‚C00000Ā 20ĀĮ ‚‚Į‚20930‚‚ĮFFFF0‚C00000Ā 40ĀĮ ‚‚Į‚201350‚‚ĮFFFF0‚1800000Ā 10ĀĮ ‚‚Į‚20E40‚‚ĮFFFF0‚1200000Ā 90ĀĮ ‚‚Į‚20B30‚‚ĮFFFF0‚E00000Ā 80ĀĮ ‚‚Į‚20E40‚‚ĮFFFF0‚1200000Ā 50ĀĮ-10‚‚Į‚20B30‚‚ĮFFFF0‚E00000Ā 30ĀĮ-10‚‚Į‚000700000054000000030Ā‚10Ā180‚Į‚Į48‚0Ā ‚20Ā180‚Į‚1048‚0Ā ‚10Ā180‚Į‚0008000002000000000340,Geneva40,Times New Roman1240314E40‚701‚0Ā101040,Courier Final Draft40,104070114E40‚701‚0Ā3040,Courier40,Courier Final Draft12401614E40‚701‚0Ā1010000900000005000000020Ā000A0000001B000000027F231F3567F231F356000B00000005000000020Ā000C00000019000000015B59‚1432F1166E‚1000F000000590000000050‚E0Ā10Ā ‚10ĀĮĀĮ‚‚ĮĀ4,77A4,4,014,er) 4,es o4,rmed4,date00130000007E00000000DA91F8CE1C1D1E1F7F1B044,-.¶µ•µ„„.'"‘’“”…ƒFFFF0FFFF001280000000A00000001B5‚0Į‚01290000000A00000001B5‚0Į‚FFFE000000060002000177AA’’’’’’’’Dˆˆˆˆˆˆ’’’’’’’’’’’’’’’’’’’’’’’’ E’’’’’’’’ '’’’’’’’’«FFFF000000060002000177AA00000000004F0000000020001101-7F7C6F000Ā480048-20F0Į-1‚0Ā F253FFFF0‚‚1020Ā0001000000320000000103840‚‚‚5AF20A20388000‚203F20A0000200000007000000003,[].00040000000C0000000302‚3530005000000090000000201500006000000EF0000000430C310‚‚ĮFFFF0‚C00000Ā 10ĀĮ ‚‚Į‚10930‚‚ĮFFFF0‚C00000Ā 20ĀĮ ‚‚Į‚10C201020040ĮFFFF0‚C00000Ā 10‚‚43E1600121C11780Į‚‚Į‚10930‚‚ĮFFFF0‚C00000Ā 10‚‚79F2740ĀĮ ‚‚Į‚00070000003A000000020Ā‚10Ā180‚Į‚205A490Ā ‚10Ā180‚Į‚0008000001550000000240,Geneva40,Times New Roman1240314E40‚701‚0Ā101040,Courier Final Draft40,104070114E40‚701‚0Ā30000900000005000000020Ā000A00000013000000020‚F2530‚F253000B00000005000000020Ā000C0000000A000000010Ā‚‚1000F0000005500000000400Ā 10Ā ‚10ĀĮĀĮ‚‚ĮĀ4,77A4,04,184,‚Į‚4,10‚4,‚Į4,00130000007E00000000DA91F8CE1C1D1E1F7F1B044,-.¶µ•µ„„.'"‘’“”…ƒFFFF0FFFF0012800000009000000015‚0Į‚012900000009000000015‚0Į‚0014000000AC000000001C11785C1DE204211C117C0Į2C,E,42,>Page #9Œæ’ŚPy°œtSŗŲæ’Ū¬‡ėŠæ’ŪFFFE000000060002000177AA’’’’’’’’Dˆˆˆˆˆˆ’’’’’’’’’’’’’’’’’’’’’’’’XFFFF000000060002000177AA00000000004B0000000020001101-7F7C6F000Ā480048-20C0Į-1‚0Ā C253FFFF0‚‚10Ā0001000000310000000101840‚‚‚5AC20A038E000‚203C20A0000200000005000000001, 0004000000090000000201300005000000090000000201300006000000650000000210C310‚‚ĮFFFF0‚C00000Ā 10ĀĮ ‚‚Į‚10930‚‚ĮFFFF0‚C00000Ā 30ĀĮ ‚‚Į‚00070000003A000000020Ā‚10Ā180‚Į‚205A490Ā ‚10Ā180‚Į‚0008000001550000000240,Geneva40,Times New Roman1240314E40‚701‚0Ā101040,Courier Final Draft40,104070114E40‚701‚0Ā30000900000005000000020Ā000A00000013000000020‚C2530‚C253000B00000005000000020Ā000C0000000B000000010Ā7‚1000F0000005500000000400Ā 10Ā ‚10ĀĮĀĮ‚‚ĮĀ4,0,C4,4,4, 34,”±ĮÓ4,§Įš4,©K00130000007E00000000DA91F8CE1C1D1E1F7F1B044,-.¶µ•µ„„.'"‘’“”…ƒFFFF0FFFF0012800000009000000013‚0Į‚012900000009000000013‚0Į‚FFFE000000060002000177AA’’’’’’’’Dˆˆˆˆˆˆ’’’’’’’’’’’’’’’’HH$$’’’’’’’’•X’’’’’’’’