Jack Feldstein
The truth is that laws must first be known before they can be broken.
- There should be conflict in each and every scene.
- Characters should want something in each scene.
- Characters should be in charge of their own destiny.
- Don't neglect irony.
- Characters rarely speak the subtext.
- Use your kinaesthetic. Be in the scene.
- Minutiae mean something. Details make the scene.
- Know what your character desires and fears most.
- Surprise is important.
- Each character has their point of view.
Identify their attitude to the things that happen.
- Often characters have illusions about themselves.
- Characters don't always tell the truth. They may hide things. Or lie.
- Where is each character's anger?
- Characters are only human. They make mistakes.
- Set up, feed and pay off later. The rule of threes.
- Stakes should be high for the character.
- There are 3 conflicts possible.
- Global: with the world.
- Local: with a person.
- Inner: with oneself.
- Characters are not dumb. They think like you and I.
- Characters like to talk about themselves. I "I" factor.
- Make them laugh. Make them cry. Make them wait.
- Externalise. Dramatise. Use props.
- Set up the stakes at the start.
- Remember class. Believability. Style.
- Characters may speak the truth and confront.
- Using what is in the script to build on.
- Words are not always necessary.
- Use dialogue to form pictures. Analogies may help.
- Characters may question the plot and each others' motices.
- Assertive, pro-active characters are dramatic characters.
- In the script, make it difficult for characters.
- Characters can be self-aware.
And finally for those suffering from low self-esteem and insecurity,
32. Remember to breathe, you're doing your best.
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