I'd like to see Transport visualised but not sure if we need to see this in the film. The character's reaction to having some gigantic vehicle overhead is what's most important and perhaps POV and shadows would suffice. That's the angle I'm exploring at present.

Trucks

I like the idea of using modern-day logging trucks, to link story to present-day activist struggles and to avoid ruling out the use of archival footage. That said, I've left trucks in for now.